From a South American dance to a romantically rubato performance piece, Bach’s Violin Partita in D minor has some funky rhythms and bizarre chromaticism!
Music is such a volatile and unpredictable market. You never know when a song will take off or not. Why risk taking a one-time work-for-hire fee for a few hundred dollars when you can have X% ownership? Owning and registering a publishing percentage ensures fair compensation if the release sells well. (For a quick crash course on royalties, rights, and publishing, check out our free course, How to Get All the Royalties You Never Knew Existed.)
No classic song is safe from the cover treatment… but how many cover versions are actually interesting to listen to? We delve in and pick out our top 10.
This is just a modern version of the previous one. This form, the Verse-Chorus, is pretty self-explanatory. Your verses should lead into a summarizing chorus that ties everything together. This is an extremely popular song structure right now, and has been for many years, and one that every songwriter should master.
All you have to do is click the box. Purple means the click will play; when it’s not purple, it won’t. I personally recommend that you record both your piano and vocals to a click track to make sure everything you might record later on is in time. It’ll also make mixing and processing that much easier.
Though it can take some practice to learn how to play, vertical hemiola can spice up your music by forcing the listener to feel the beat in two time signatures at once. Additionally, hemiolas of this sort can act as a sort of syncopation, with one rhythm emphasizing the off-beats of the other. For both of these reasons, hemiola can be found in a variety of indigenous musical traditions, particularly in Africa and the Balkans.
“Joseph was a terrific mentor who provided extremely useful feedback for each assignment. The course was excellent… Soundfly courses are perhaps the best set of music courses I’ve ever taken!
Here’s an interesting one. In 1983, Haruomi Hosono, a member of the famed Yellow Magic Orchestra with Ryuichi Sakamoto, and a well-known synthesist throughout the 1980s, was asked by the directors at MUJI to create “background music” for their newly opened stores. So, muzak. This blissful, sometimes atonal, wabi-sabi music has been described as “a playful, yet uneasy dream-space of aural fog.” It was released in a short run of cassettes and never heard about again… until now!
The joan mitchell emerging artist grant program
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If you’re a part-time musician, you know the struggle. You want to make music, but you run out of time in a day. Or you lose heart. Or your music time is not as efficient as you want it to be. Every day, it’s an uphill battle of sticking with it, being productive, and not losing your mind.
Dewsberry’s project is to finance the audio and video recording of a live concert in which she’ll debut 16 songs her friends have written for her 60th birthday. It’s commemorative and community-oriented, and it plays with the concept of a Sweet 16 — only fast-forwarded to age 60.
With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.
To find out just how important, I interviewed two experts: Assistant Professor of Music at the University of Lethbridge, Bryn Hughes, and PhD student at Queens University, Anja Cui. Both actively research music cognition, drawing from music theory and behavioral science as well as cognitive psychology, and as Cui puts it, “Basically how people listen to music and what happens when they’re listening to music.”