Let’s face it: the music industry’s obsession with audiophile culture benefits big business more than anyone. 100 years ago, people’s minds would have been blown by a scratchy recording mechanically amplified through a gramophone. Today, we’ve been erroneously convinced that we need the best-of-the-best tech in order to truly connect with that music. At the end of the day, it’s just more money in the pockets of the 1%. You can listen to Terminal on Bandcamp, and he’s also worth reading: “When people talk to me, whether it be the press or peers in the scene I operate in, I
This can all be accomplished on a relatively low budget, taking advantage of just a handful of actors and props, and a mixture of free shooting locations.
When I produce a track, chorus impact accentuators are always on my mind, especially at the final stage. And while I attempt to challenge myself by trying new methods every now and then, I do have some go-to accentuating techniques that I frequently rely on (and I’m not the only producer who does so). So here are some of the classics. Perhaps you’ve looked around at a bunch of our courses, and then realized that we don’t yet have that electronic dance harmonica course you’ve been looking for yet. Bummer! But that’s OK, because the Headliners Club allows you to