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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun. Catering to professional musicians, media-makers, writers, and performers, Yaddo is situated on a gorgeous, sprawling 400-acre estate in beautiful upstate New York. The program’s residencies last anywhere from two weeks to two months,

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“God’s Plan”: Man, the chords in this loop were hard to identify. Not only because the notes here don’t conform to standard A-440 tuning (it’s all about 20 cents sharp of G major), but because they start out as ninth chords whose upper halves are louder and more timbre-distinct than their lower, arpeggio-happy halves. It’s almost like it’s better explained not as “9-chords,” but as “an Em stacked on top of an Am,” and then “a D chord stacked on a G chord.” This “separation” thinking is enhanced by the low-muffled organ patch playing the Am and G, and the

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Dead J is one of the most innovative and prolific electronic musicians making music in China. His music is dancy, crunchy, sonically diverse, and all-together banging. He was originally inspired to make electronic music because he felt that rock music had stagnated. “One of the charming things about electronic music is its individualism,” according to Dead J, “just like when an artist creates a painting by themselves. So the possibilities for electronic musicians are huge.”  I highly recommend his new album, Ting Tai Le Ge. Chorus impact accentuators, often abbreviated to “CIAs,” is a term that’s still fairly new in this

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