Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun. I think the title, “La Fine Del Futuro” (“The End of the Future”) is apt because truly, we’re living in a post-modern era. How heavily do you allow technology to influence your composition?
Need help on a specific project that doesn’t quite fit within one of our online courses? Work with a Soundfly Mentor one-on-one to create a custom one-month Learning Plan specifically tailored to your needs and goals through our newly revamped Headliners Club program. In addition to tax returns and detailed income statements, lenders often ask for a profit and loss statement. This may throw you for a loop considering it’s something normally asked of a business not an individual, but in the bank’s eyes you are a business since you are a 1099 contractor!
I find musicians make this last mistake all too often. It’s related to not seeing music as a real job. Musicians set themselves up for disaster when they don’t take their finances and contractual responsibilities seriously. Signing a bad contract has killed the careers of many musicians, and not prioritizing financial literacy even if you’re a DIY artist can be just as dangerous. Ordinary income is just that — money earned for the work you do. For songwriters, the money you earn from royalties is considered ordinary income. The tax rate you pay depends on how much you make, from