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Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here’s just a few free courses you can choose from: How to Create a Killer Musician Website, Theory for Bedroom Producers, Touring on a Shoestring, and How to Get All the Royalties You Never Knew Existed. Or check out our 4-week coaching program, The Headliners Club, and work with one of our professional Soundfly Mentors to reach your musical goals! 

When we were just getting started, we worked with American artists like the Flashbulb and French hip-hop producer Kacem Wapalek. We also reissued the debut album by French house producer Bob Sinclar, Paradise, released in 1995 on Yellow Productions, and we teamed-up with labels such as Tru Thoughts and Einmusika Recordings.

Making use of mass-loaded vinyl (MLV) is an easy way to reduce the amount of noise coming through floors, ceilings, and walls in your home studio. This material is made specifically for noise reduction, and cuts up to 30 dB of sound with only a single layer when applied properly. It comes in four-foot rolls that you can easily put on your walls or in your floors to help reduce the transfer of sound through these surfaces.

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Located an hour and a half north of San Francisco, on a ranch in Sonoma County wine country, artists of all media are provided with 2-10 weeks of accommodation and work space on the Warnecke Ranch and Vineyard. Resident artists stay in a three-bedroom, 1920s farm house, with studio spaces provided in repurposed barns. It’s perfectly peaceful while offering plenty of opportunities to attend open houses, workshops, lectures, and of course, the chance to mingle with the other artists. 

Songtrust can help. Register for Songtrust, and use promo code STSoundfly for 10% off! If your music is already on Spotify, go ahead and estimate your earnings here. 

Saying goodbye to big purchases can be tough. But if it’s not actively contributing to your music, that money might be better spent elsewhere. Think about what you actually need for your workflow.

Logic Pro X has a number of built-in templates based on genre which can be a helpful starting point but always feel free to customize to your own needs. As you continue working on different projects, you’ll naturally start making personalized templates to prep for sessions. And although each of which may require different demands in terms of instruments, effects, or amounts of inputs, you’ll be starting from a higher place than the ground.

+ Learn more on Soundfly: Learn to find and engage your superfans and build your band’s community in our month-long course, Crowdfunding for Musicians.

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And for a bonus, because it’s not strictly designed for musicians, Google Analytics is worth checking out if you’re obsessed with learning more about the fans who visit your website. This platform is designed to help businesses (if you sell music, then you’re a business) better understand and serve their customers, and that makes it perfect for you.

The nearly 11-minute version of “Lost Someone” is a high point; Brown demonstrates his ability to ensconce his sexuality in a preacher’s cloak. Throughout this song, it feels like he’s beseeching the audience to believe in a higher power. Judging by the screams of the audience, I’d say he converted all of them. This style of performance would later go on to be emulated by other larger-than-life performers such as Prince or Bruce Springsteen.

One of this blog’s most prominent features is the “10 Songs You Need To Hear This Week” which features everyone from YAWNS to Lil Lotus, Cold Hart, Yung Scuff, and more — always aiming to highlight underground artists. Underground Underdogs also does artist features and introspective pieces like “An Insight Into the Experimental Sounds of Cremation Lily” or interviews with artists about their story and success. If you’re a big enough fan you can grab a t-shirt or hoodie and support them.

Here’s an interesting one. In 1983, Haruomi Hosono, a member of the famed Yellow Magic Orchestra with Ryuichi Sakamoto, and a well-known synthesist throughout the 1980s, was asked by the directors at MUJI to create “background music” for their newly opened stores. So, muzak. This blissful, sometimes atonal, wabi-sabi music has been described as “a playful, yet uneasy dream-space of aural fog.” It was released in a short run of cassettes and never heard about again… until now!

By the time I was 16, I was making a living as a professional DJ. Over my 16-year career, I touched on many other areas of the music industry, including A&R, bookings, event management, promotion, music curation, and ultimately a seven-year club residency with Pacha Ibiza.