In his new book Peak: Secrets from the New Science of Expertise, which is excerpted here, Dr. Ericsson and his co-author Robert Pool argue that the best practice habits, what they call “purposeful practice,” involve specific goals, focus, feedback, and leaving your comfort zone; all of which are incorporated into Soundfly’s unique online learning model.
If you are a guitarist writing songs and keen to shape your tone like the unforgettable sounds of My Bloody Valentine, Slowdive, Ride, and even Mazzy Star, here are the key pedals that can get you there! Who says you need three boards with 20 or more pedals like the original shoegazer Kevin Shields? Save your money and go buy a better amp stack or a cooler guitar! Or, if you’re in a pedalboard trimming phase, and looking to lighten your tour load with a digital pedalboard, check out this brand new free course with Kaki King exploring why and how she now only uses Apple’s MainStage 3 digital pedalboard, a MIDI controller and expression pedal on the road… and why she’ll never go back.
As one commenter pointed out, though, “Clair de Lune” is in 9/8, so of course it’s going to sound strange over a 4/4 beat. However, for me, the 4/4 beat actually makes it sound less strange. I find 9/8 totally unnatural; I can count it deliberately but I haven’t internalized it intuitively. On the other hand, groups of triplets over 4/4 is a common sound in the African-descended American music, and I can feel it just fine.
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A fifth in 12-TET is defined as seven semitones. Instead of multiplying your frequency by 3/2, you multiply by the 12th root of two seven times, which is about 1.498. That’s close, but not quite on the nose. Major thirds are worse in 12-TET. Instead of multiplying your frequency by 5/4, you multiply by the 12th root of two four times. That gives you 1.25992, which is not very close to 5/4 at all. Nevertheless, we as a civilization have collectively decided that we should just suck it up and live with everything sounding a little wrong. There are plenty of good reasons to!
How does this relate to your own website? By discovering detailed information about your listeners, you can tailor the content on your website to better reach the parts of your audience that are most engaged and likely to buy your merch, see your live shows, and check out your new releases.
On Flypaper and our social media channels, we’ll be sharing relevant posts that we’ve published over the years that shed light on various aspects of home recording, such as what I mentioned above. You can read some of these via the Home Recording Week tag and by following us on Facebook.
But to begin with, let’s approach these phenomena with a sound much simpler than a hand clap — a sinusoidal (or sine) wave. If we depict it as a waveform (like in the above graphic), we’ll see a signal that passes smoothly from peak to trough and back again with beautiful, equal curves on either end.
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Music for relief
These odd bars are there to facilitate the speed-up (that’s accelerando for you lasagna lovers), like how she says “I’m picking it up.” The “bridge” here could be considered a modified chorus. I’m calling it a bridge, though, because of the material it mixes in from all of the sections. This mash-up really is its own thing here, even though it introduces no new material.
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There is most definitely a way to manage this terrible affliction known as nerves, and push through your vocal performance successfully. The key is to minimize the surprise factor.