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A few basic strategic approaches and effects can color your drum parts in some fascinating ways, so let’s dig in to some of them right now. For more tips and strategies and a full course on how to get the most out of this high-powered DAW, preview our mentored online course for free here.

This was the first single off of Dookie, which has sold 20 million copies to date. In 2004, celebrating the tenth anniversary of the album, artists such as Good Charlotte and Sum 41 recalled the impact Dookie had on their lives for an article on MTV.com. My favorite quote, which kind of encapsulates what Green Day first contributed to music, comes from Billy Martin from Good Charlotte. “I remember he said ‘masturbation’ in [‘Longview’], and I was like, ‘No way!’ Green Day didn’t care. They were just doing their thing and there was nothing like them on TV.”

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Over our C minor chord, we get a triplet figure of all B♭s, making the chord a C minor 7. This is followed by the use of a passing tone (Ab) to get from the 7th to the 5th. Finally, over the B♭, we have an F (the fifth of the chord), moving to a G (the 13th, another tension).

Sure, total streams are a factor in determining your payout from streaming services. But assuming you’re among the vast majority of artists who aren’t quite making the big bucks from streaming royalties (or not yet, at least!), it’s much wiser to focus on quality over quantity.

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Learning to become an accomplished and knowledgeable audio engineer is an enormous undertaking. While we’re lucky to live in the age of the internet, where so much information is available for free, that information is not always presented in a form that allows us to make the best use of it. Spend time on YouTube, for example, and you’ll find a wealth of video content aimed at those who want to master the art of mixing, yet a lot of it is inaccurate, misleading, out of context and inapplicable, or simply incompatible with your own experience and what you’re attempting to do in the studio.

And if you’re as spellbound by those infectious grooves as we are, check out Soundfly’s conversation with Dan Freeman on the beat-making techniques of Quincy Jones here.

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This album also did two things beyond Brown himself. First, it would help cement soul and funk as commercially viable mainstream music genres. Soul could be fun, loud, raucous and youthful; not just sentimental and romantic. Secondly, it demonstrated the power of a live album to make money, and assured record producers and labels alike that consumers would be willing to buy the same songs on two different albums if one was live.

One of the keys to obtaining this sound is fluctuation. Drive your synth sound through a piece of hardware or a plugin until you can hear the warmth and compression. Then place a regular old EQ on your chain, high-passing at 120Hz and low-passing around 6kHz. This will give you that blunted, warm sound. Then, in whatever soft synth you’re using, start firing up your LFOs (low frequency oscillators). Set them to a moderate speed and depth (nothing crazy, we’re going for chill vibes) and start routing them to various settings.

In several interviews, Sandison and Eoin reveal how they love using old reel-to-reel, four-track, and cassette tape machines as pseudo-preamps to impart a certain sound. The aim was to drive the inputs on this old tech and harness its audio downsampling, imprinting a sense of nostalgia and decay right into the tracking process of the recording.

It’s a great time to be a musician! With all the tools available these days, there’s a ton of ways to publicize and sell music online. Here’s just a few.

If things went according to plan, you probably made new friends and fans over the course of the tour. Now that you’re home, you’re noticing a bump in your social following and you have new people asking when you’re coming back to their town.