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Anyway, shout out to Zedd for sneaking in an Am chord there. It took me a while to notice it. Form-wise, the chorus is a different length each time with some variations, and — wait, hold up… is this a Target commercial?

Looking to enhance your knowledge and skills, practice your chops, and build your portfolio of work? We definitely have an online course for you here on Soundfly.

You can’t have a blog post about blogs without mentioning Earmilk. Spanning several genres, Earmilk is one of the top destinations for any emerging or nationally recognized artists to land their music, which also makes it one of the best places to discover new music. Boasting their own playlist featured with talent like Kendrick Lamar and Travis Scott, Earmilk also blogs quite a bit with premieres, reviews, and general hip-hop news.  While they primarily feature artists you’ve already heard of, every now and again an underground artist will sneak in.

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To collect these royalties, songwriters must be registered with a performing rights organization, or “PRO.” These organizations exist to track, collect, and distribute public performance royalties. The U.S. PROs include ASCAP, BMI, and SESAC. In the UK, there’s PRS For Music, France has SACEM, Germany uses GEMA, and so on.

“Under Pressure” is in the key of D major — two half steps up from C. If you’re working in a DAW, you can click and drag the notes of the C major scale outlined above up two half steps and voila! D major! However, we’ll spell them out for you here as well:

My intro-level music tech classes usually include a wide range of production and songwriting abilities. Some students have never used a computer for any creative purpose whatsoever, while others are already accomplished bedroom producers or DJs. I get tracks that are complete, polished works of art, and tracks that are in total shambles. So rather than try to compare these efforts to each other, I use a growth mindset.

Here at Soundfly we talk a lot about setting and achieving one’s goals. So it makes a lot of sense that this would be the first and probably most important tip for streamlining your workflow. When you have a clear goal in mind, every decision and every distraction should be questioned. Time simply can’t be managed professionally in recording spaces without a detailed list of goals and priorities.

Most likely, you’ll do what everyone else does, which is live with everything being a little out of tune. And if you’re a guitarist, you know that no matter how you tune your guitar, it won’t stay in tune for long anyway, so how much does any of this even matter?

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One of the best things you can do as a working producer is to analyze music by the artists who inspire you. This will help you understand how they build their tracks, and develop their ideas for when you start working on how things are arranged and orchestrated.

This is still sectional, but each section happens linearly, without repetition. You can represent this sort of form as something like: Section A, B, C, D, etc.

If you’re working on a beat, or even if you want to start a new one right now, try to create at least three variations of the loop you started with by removing parts, adding them back in, making simple changes to patterns, etc. If you feel inspired, develop your idea further by adding other elements, and taking the beat out entirely for a bar or two.

Looking to enhance your knowledge and skills, practice your chops, and build your portfolio of work? We definitely have an online course for you here on Soundfly.

Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.