Music investors

Let’s use my own childhood as an example. I heard a few too many nursery rhymes from my crib, like “Mary Had a Little Lamb” and “Merrily We Roll Along.” Songs that focus on the 1st, 2nd, and 3rd scale degrees, small intervalic jumps, feel more familiar, more comfortable, and more nostalgic, to me at least. And yes, it’s a masterwork. This isn’t just Japanese new-age hindsight fetishism at play here. Takada’s brilliant suite for marimbas and synthesizer brings Asian timbres and African polyrhythms in perfect contact with the minimalist language of composers like Steve Reich, Terry Riley, and Brian

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