In several interviews, Sandison and Eoin reveal how they love using old reel-to-reel, four-track, and cassette tape machines as pseudo-preamps to impart a certain sound. The aim was to drive the inputs on this old tech and harness its audio downsampling, imprinting a sense of nostalgia and decay right into the tracking process of the recording. For a descending perfect fourth, look no further than the traditional “I’ve Been Working on the Railroad,” as the lyrics “I’ve” and “been” at 0:00 feature this interval.
It sounds like a massive cliché, but the best advice I’ve been given and adhere to is believing in myself, being genuine and nice. If you believe in who you are, what you want to achieve, and visualize it, you can do amazing things. Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia,