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In an interview with The Hollywood Reporter, Ryan Tedder, a songwriter and the frontman of OneRepublic, once said: “With iPhones, nobody has an excuse for writer’s block. If you’re at Whole Foods getting your green tea extract and you have a melody, you just drop it into your voice memo and save it for later.” Going along with Ryan’s idea, if you have stockpiles of melodies and song snippets saved in your phone, go back to listen to them and you might find your “diamond in the rough” idea that will kickstart a new song for you. These are some

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Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them! All this is corroborated by an intensification of dynamics, which grow gradually into fortissimo (1:05 onwards). A first climax is reached in the Prestissimo section: (d.) is now played by both hands and the staccato articulations are now accented, longer (and therefore heavier) notes (1:58).

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Soundfly is a new kind of music school for today’s musician. We create creative courses and daily articles for the curious musician. Meet the whole Soundfly Team here. For many, this is the dream. But not for me. My eyes become misty when I think of my teenage PC’s dial-up modem croaking into life, a low-quality MP3 of “Guerilla Radio” or “Ms. Jackson” seeping onto my hard drive through the unregulated glory of vintage peer-to-peer technology. Long Live Limewire!